Quote from Alex bobby on August 4, 2025, 5:27 AM

Summer at the box office continues to deliver blockbuster surprises and milestone achievements, with Universal’s “Jurassic World Rebirth” and Apple’s “F1” racing past significant global revenue thresholds. These high-profile releases, alongside strong showings from superhero fare and animated adventures, are keeping multiplexes packed and studio accountants smiling as the summer movie season charges ahead.

‘Jurassic World Rebirth’ Hits $766 Million Worldwide

Leading the pack this weekend is Jurassic World Rebirth, which has now surged past $750 million globally, earning $766 million after five weekends in release. Directed by Gareth Edwards and boasting a fresh cast led by Scarlett Johansson, Jonathan Bailey, and Mahershala Ali, the rebooted dinosaur franchise is proving to be a formidable box office predator.

International audiences have been key to the film’s success, generating $448 million of its total. Top international territories include the United Kingdom and Ireland ($42 million), Mexico ($34 million), and Germany ($28 million) — clear indicators that the dino-franchise still commands worldwide appeal.

Despite its strong performance, Rebirth has some distance to cover before it reaches the heights of its predecessor trilogy starring Chris Pratt and Bryce Dallas Howard, each of which surpassed $1 billion globally. Still, the film’s momentum — particularly overseas — hints at the potential for continued box office growth in the weeks to come.

‘F1’ Becomes Brad Pitt’s Highest-Grossing Movie

Meanwhile, Apple Original Films' high-octane racing drama “F1”, starring Brad Pitt, continues to leave skid marks on the competition. With $545 million globally after six weeks in theatre’s, the film has now officially overtaken “World War Z” ($540 million) to become Pitt’s highest-grossing film of all time.

The project, which blends thrilling race sequences with dramatic depth, has also secured its place in Apple’s history books. F1 has become the tech giant’s highest-grossing theatrical release, racing past previous efforts like “Killers of the Flower Moon” ($158 million) and “Napoleon” ($221 million) with ease.

This milestone is especially notable given the genre — racing dramas historically underperform at the global box office. F1’s exceptional haul speaks to a compelling mix of star power, critical acclaim, and international interest in the Formula 1 racing phenomenon.

‘Superman’ Flies to $550 Million

Warner Bros.' “Superman” is also holding strong, having crossed the $550 million mark worldwide after just four weekends. Domestically, the film has pulled in $316 million, while international markets have contributed $235 million.

However, unlike typical superhero blockbusters — which often generate a majority of their revenue overseas — Superman has found greater success at home, with the U.S. and Canada accounting for nearly 60% of its global total. The film’s unapologetically patriotic tone and focus on the classic American hero may have limited its resonance abroad, but strong domestic interest has ensured its financial viability.

Internationally, the U.K. ($32 million), Mexico ($21.8 million), and Brazil ($15 million) lead the charge.

‘Fantastic Four: First Steps’ Tops International Charts

Marvel and Disney’s “The Fantastic Four: First Steps” continued to perform solidly overseas, earning $39.6 million across 52 territories in its second weekend — a 58% drop from its debut. To date, the film has grossed $368.7 million globally, with $170.3 million coming from international markets and $198.4 million from North America.

While the drop is slightly sharper than Marvel typically hopes for, the film’s global total remains healthy, especially as buzz continues to build around the franchise's future within the Marvel Cinematic Universe.

‘The Bad Guys 2’ and ‘The Naked Gun’ Reboot Launch

Among new releases, Universal and DreamWorks Animation’s “The Bad Guys 2” made a commendable debut, raking in $16.3 million across 58 overseas markets. Combined with its $22.8 million domestic opening, the heist comedy sequel has posted a $44.5 million global start.

With returning voice talents like Sam Rockwell, Marc Maron, and Craig Robinson, the animated caper — made on an $80 million budget — has outpaced the original Bad Guys in similar territories. The film follows the gang of reformed criminals as they’re drawn back into one last job, blending comedy with action in family-friendly fashion.

Meanwhile, Paramount’s reboot of “The Naked Gun” opened with $11.5 million from 46 international markets. Starring Liam Neeson in the role made famous by Leslie Nielsen, alongside Pamela Anderson, the slapstick detective comedy collected $17 million in North America for a total global opening of $28.5 million.

Though reviews have been mixed, the film’s solid start — especially for a comedy reboot — suggests audiences are still open to goofy, over-the-top humour amid a summer dominated by action and spectacle.

Looking Forward

With summer box office momentum showing no signs of slowing, all eyes are now on the next wave of highly anticipated releases. Christopher Nolan’s “Oppenheimer: Part II”, Disney-Pixar’s “Elio”, and Paramount’s “Transformers: Rise of Unicron” are just a few major titles set to enter the fray in the coming weeks. Each carries significant expectations, both creatively and commercially, and could further shake up the rankings.

Meanwhile, Jurassic World Rebirth still has room to grow as it eyes the elusive billion-dollar mark — a benchmark that would reestablish the franchise as one of the most reliable theatrical performers of the modern era. F1, now Brad Pitt’s biggest hit, may also continue to benefit from strong international legs and awards season buzz later in the year.

As studios analyse the data and audiences flock back to cinemas worldwide, one thing is clear: the theatrical experience is not only alive — it’s accelerating. The remainder of 2025 promises an exciting mix of sequels, original stories, and genre crossovers that could redefine what success looks like in a post-pandemic film landscape.

Conclusion

The global box office is alive and thriving, with Jurassic World Rebirth charging past $750 million, F1 rewriting the record books for Brad Pitt, and Superman proving there's still power in classic comic book heroes. While international audiences continue to drive big numbers for tentpoles like Rebirth and Fantastic Four, domestic markets have shown a renewed enthusiasm, particularly for uniquely American narratives. Meanwhile, newcomers like The Bad Guys 2 and The Naked Gun reboot demonstrate that both animation and comedy still have room to shine in a crowded field. As we move deeper into the summer season, these performances signal not just a rebound for theatrical cinema, but a dynamic and diverse marketplace eager for compelling stories, star power, and big-screen spectacle.