Billie Eilish shares a sweet show of support for her boyfriend, Nat Wolff.
For her boyfriend, Billie Eilish is happier than ever. The singer of "Birds of a Feather" demonstrated that her relationship with Nat Wolff is still going strong by kindly endorsing his and brother Alex Wolff's recently released album of the same name, which was released on January 16.
She posted something to her Instagram Story. On January 16, Billie reposted the siblings' own announcement of the release of their record, which included a backlit image of the two of them seated on fold-out chairs. The two-time Oscar winner wrote three exclamation points next to the photo to show how pleased she was about the idea.
And it wasn't the only way Billie, 24, made fun of Nat, 31, with whom she first declared her love in June on a PDA-filled outing in Venice. A sample of the Nat & Alex Wolff song "Midnight Song" was also featured on the "Ocean Eyes" singer's story.
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Naturally, Billie has also expressed her support for Nat and Alex's music outside of social media. Billie not only asked them to perform on her Hit Me Hard and Soft Tour, but she also produced the album track "Soft Kissing Hour" by the former members of The Naked Brothers Band.
"When we did the song with Billie, it was so homegrown," in a January 16 interview, Nat informed Rolling Stone. "It was just the three of us in a room. We had one mic, and I was holding it because we couldn’t reach it to the piano, where Alex was playing 20 feet away."
Additionally, the Paper Towns actor acknowledged that Billie, who previously collaborated with the band on her song "Wildflower" from 2024, suggested that she provide backing vocals for the song's outro.
"It was Billie’s idea for her and I to sing in that section [at the end of the song]," Nat clarified. "She was like, 'Oh, it’s a beautiful thing to do. We did it on “Wildflower.”'"
In a hilarious turn of events, Shark, Billie's dog, ended up listening in on the recording also. As Nat clarified, "When we sent it to the mixer, he took out little bits of audio, like Billie’s dog snoring and we went, 'Actually, can you put those back in?'”
"Something about that was inspiring," he added. "I was like, 'Oh, if you don’t have all the time in the world and all the equipment and you’re kind of running gun and feeling like it’s just play, there’s something magical that can come out of that.'”
